“Canadian Folk Sketches” – World Premier Rehearsals

SOTK Lizzy Hoyt 2016_02_13

In the past there has been a well recognized tradition where classical composers have dipped into folkloric waters to refurbish and re-invigorate their music. In fact there are  whole national music traditions that have come into being as a result of that process. Every now and then folk musicians, rock musicians and jazz musicians have turned that process on its ear by enlisting classical musicians, most notably, symphony orchestras in support of music that is outside the normal symphony repertoire. Over the years The Symphony of the Kootenays has been involved in a number of those type of projects. Lizzy Hoyt’s Canadian Folk Sketches World Premier is the latest in that ilk. Lizzy Hoyt (vocals, guitar, fiddle, and harp) and her trio, Keith Rempel (upright bass and back-up vocals) and Chis Tabbert (guitar and Russian Soviet era mandolin) joined the Symphony and shared the solo spotlights with a number of the Symphony’s outstanding musicians. The rehearsals were on Saturday afternoon, February 13, 2016 in preparation for the premier concert later that evening. Here are some images from that rehearsal.

505. Trio plus Orchestra 100. Lizzy Hoyt    200. Keith Rempell    300. Chris Tabbert  132. Lizzy Hoyt   312. Chris Tabbert    212. Keith Rempel  310. Lizzy and Chris050. Harp  320. Chris Tabbert   408. Wendy  422. Jeff Faragher 144. Lizzy Hoyt  118. Lizzy Hoyt  316. Chris Tabbert 532. Nicola   140. Lizzy Hoyt   146. Lizzy's feet

I know the instrument doesn’t make the music. It is the musician who makes the music. However, having said that, I think it is worth focusing some attention on Lizzy’s magnificent Collings small bodied guitar (probably a Collings OM1). This a truly beautiful example of modern luthiery and it further demonstrates that we are living in a golden era of hand made instruments.050a. The Collins Guitar 126a. Lizzy and the Collings guitar

As for the repertoire it always gives me great pleasure when a Canadian musician stops looking south for musical inspiration and decides to explore the rich, varied, and largely unexplored traditions of Canada.


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