Guy Davis – Story Teller

Guy Davis & Fabrizio Poggi : “Sonny and Brownie’s Last Train”   Stage 64, Kimberley, Sunday October 14, 2018, 3 pm.

They did it again. The organizing committee has this rule not to invite repeat performers. Much to our joy, a few weeks back, they set the rule aside for Gabriel Palatchi for him to perform in this fall’s Jazz and Blues Concert Series. Now they have done the same for Guy Davis. One could make the case that Guy’s previous performance in Kimberley was a solo act and this time around it is not the same thing. He has the Italian Blues Harp player Fabrizio Poggi along for the ride (considering the concert title the pun is intended). The duo is fresh from this year’s Grammy nomination in the Traditional Blues Category for their recording Sonny and Brownie’s Last Train – A look back at Sonny Terry and Brownie McGee. The project was recorded in the summer of 2016 in Milan and the album features the original, title track song written by Guy Davis, songs by both Sonny and Brownie, as well as songs known to have been recorded and performed by the famed duo but written by their contemporaries, such as Libba Cotton and Leadbelly. The famous blues duo Sonny Terry and Brownie McGee set the standard for the blues harmonica, guitar and vocal combination and were professionally very active when Guy Davis and I were very young men. Guy is an actor, writer, and all round African American renaissance blues man. He plays in a tradition that has been largely rejected by contemporary black musicians as irrelevant  and the genre has largely been appropriated by white musicians. A point to note is that at the Grammy Awards Guy’s recording was beaten out by The Rolling Stones Blue and Lonesome – a white band paying tribute to black musicians of a bye gone era. I think there is some irony in that.

Afro-Americans of Guy’s generation mostly favor the urban styles of Soul, Funk, hip-hop and rap. By rights, as a urban black man that should have been his musical route forward. Instead he chose to look back to former times and mine the rich musical mother load of a century of blues traditions. As a harmonica player, guitarist, vocalist and story teller he succeeds  at a level unmatched by his contemporaries. Apart from his technical mastery of the musical idiom I think the success of his performances lies in his story telling. All truly great songs tell a story and the blues are no exception.

His sidekick for the project is an Italian and how an Italian could submerge himself so completely in a foreign American tradition is beyond me. I am sure that in his personal blues journey there lies a tale worth hearing.

The duo kicked off the evening with two classic pre-World War II country blues – Tommy Jackson’s Maggie Campbell’s Blues and Blind Boy Fuller’s Step it Up and Go. In the 1960s every blues anthology of note included these performers. They were right up there with Robert Johnson and Big Bill Broonzy. The rest of the concert included Brownie McGee’s Walk on,  ‘Cause I’m Evil, Sonny’s Horray, Horray These Women is Killing Me, Robert Johnson’s Walkin’ Blues, Elizabeth Cotton’s Freight Train, Leadbelly’s Midnight Special, Bob Dylan’s Lay, Lady, Lay (complete with some of Bob’s vocal mannerisms), Sleepy John Estes You’ve Got to Give Account (with some really nice guitar picking) and Blind Lemon Jefferson’s Please See that My Grave is Kept Clean. As well as all the traditional old time blues Guy performed some of his originals. Including Lime Town, Kokomo Kid, I’m Going to Shake it like Sonny Did, I Wish I Hadn’t Stayed Away So Long, Blackberry Kisses, Sonny and Brownie’s Last Ride  and, probably one of the best narrative songs I have heard in a long time, Sugar Belly. It was the story of mixed race girl cursed with great beauty. It was a song so powerful that one of my neighbors was reduced to tears. Here are some more images from the evening.

               This is Guy’s third trip to the area. He performed at the Studio / Stage Door in Cranbrook many years ago and more recently, April April 11, 2015 at Centre 64 as part of a concert series. Guy lives in New York so to come to Kootenays at least once is a big deal. To come three times is almost heroic. I have been to all three concerts and if he should walk though the door again over the next couple of weeks for another concert I would be beating down the door to attend.

On behalf of the organizing committee the MC Peter Kearns would like to thank fellow committee members, the many volunteers and the sponsors Burrito Grill and  A B&B at 228 for making the concert series possible. Thanks to Guy Davis and Fabrizio Poggi coming all this way to give us a truly wonderful evening of music and stories.

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Post Script: The Guy Davis concert ended an East Kootenay “Blue Period”. Over a two weeks there have been four concerts that thematically focused on The Blues. First out the gate was Clinton Swanson / Kelly Fawcett / Doug Stephenson Blues Trio at Stage 64 in Kimberley on September 29, 2018. This was followed by Canada’s Queen of the Blues Rita Chirelli and her band at the Key City, Cranbrook on Friday October 12, 2018 and Tracy K / Jamie Steinhoff Duo in the Saloon Lounge of the Heritage Inn in Cranbrook on Saturday October 13, 2018 and, finally, Guy Davis and Fabrizio Poggi at Stage 64 in Kimberley on Sunday afternoon, October 14, 2018. All told that is a pretty meaty dish of blues fare in a very short period of time.

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Tracy K & Jamie Steinhoff Blues Duo

The saloon bar in the Heritage Inn Convention isn’t a new venue. It has been around for  a while and has mostly been used as a venue for stand up comedians. The manager took note of the success of Auntie Barb’s Bakery and Bistro as a music venue and figured “well he could do that”. It was a good move. For music the room is ideal. Perhaps a slightly raised stage could improve the sight lines but apart from that the lighting is reasonable and the sound acceptable. And, more to the point, the room is quiet and the audience respectful. Louis (“Louie”) Cupello has lined up some fine acts to get the ball rolling.

Local singer/song writer Maddi Keiver was back in town following her recent trip to Dublin, Ireland. She opened the evening with some cover tunes before moving onto her original songs Three crows at the Funeral Home, Crystal Clear, Landslide and Hopeless. In between these she squeezed in a version of The House of the Rising Sun.

         Once again the Winnipeg / Thunder Bay musical axis strikes another blow. Every once in a while the musicians from that neck of the woods venture out into the wider world and refresh our memories of how central that axis is to the Canadian musical landscape. This time around it was the blues duo of Tracy K (vocals, guitar and blues harp) and her musical side kick Jamie Steinhoff (vocals, guitar and resonator slide guitar). Musically the duo has been around the block for a number of years;  traveling back and forth across Canada and down “blues highway 61” into the American south to savor the heartbeat of the blues.   Tracy was raised on sixties radio and her brother’s hippie records and began her professional career at twenty five while living in Toronto. She moved back to Beausejour in the 1990s, started a family and, eventually, began her solo career. She is inspired by local blues greats Big Dave Maclean and Brent Parkin, and contemporaries Rita Chiarelli, Sue Foley and Suzie Vinnick. She is currently Nominee for Blues Artist of the Year at the Western Canadian Music Awards in October 2018. On the other hand (so to speak) Jamie Steinhoff started his musical life as a Blue Grass banjo player. He still has a great love for the style but over the years he has slipped into a role as a blues performer.    As a duo Tracy and Jamie have traveled a lot in 2018 for folk festivals and a Home Routes Tour.

Perhaps Tracy is best known for her blues harmonica playing and her affinity for the old time female blues singers of by gone eras. In the first set she paid homage to Sippie Wallace with a version of Everybody Loves My Baby and Memphis Minnie’s Chauffeur Blues (originally recorded in 1941). Here and there throughout the evening Tracy  performed some of her original material, a jazz tune here and there and even Anne Murray / Gene MacLellan‘s Snowbird. Her sidekick, Jamie Steinhoff, when not traveling with Tracy, has a real job as a cook. His musical repertoire includes some Blind Blake, Dave Van Ronk and Brownie McGee tunes with great finger picking on both the resonator slide guitar (in open D or open G) and a wonderful Guild F-40 acoustic guitar (I love the shape of that instrument). He also dipped into the country bag with an original song called Too Low Down to Sing the Blues (so I have to sing a country song). His back up slide playing on Nobody Knowns Atlanta Like I Do was outstanding. Here are images from the concert ….                 

As a venue The Heritage Saloon is great addition to the local music scene and I am looking forward to hearing Ken Hamm perform here on Saturday November 3, 2018.

Tracy and Jamie would like express their thanks to the house staff and the audience for their support of live music. They would especially like to thank Tom Bungay for the sound system and John Bisset for the setting up the stage

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Clinton Swanson Blues Trio at Stage 64

The Nelson based Sax player Clinton Swanson has “brand name” recognition here in the East Kootenays. Over the years Clinton with his pork-pie hat and quiver of saxophones has been a frequent visitor to the area. Most recently he was with the Melody Diachun’s  “Back to the Groove Tour” and also with  Jon and Holly in a Cranbrook Summer Sounds Rotary Park concert. Because of  that “Brand Name ” recognition it was understandable that the group was billed as the Clinton Swanson Blues Trio. In actual fact it was more appropriately the Kelly Fawcett Blues Trio with Clinton Swanson on tenor and baritone saxes and Doug Stephenson on bass. Once the concert got going it was easy to hear why Clinton said “we are part of Kelly’s trio and we are here to support him”. Kelly is a new  face to most of us but he has been a long time friend and musical associate of Clinton and they have toured together frequently over the years. The other member of the trio, Doug Stephenson is also a well known Nelson musician who has also toured extensively in the Kootenays. He is living proof that to make a living as a professional musician these days one can’t have “too many arrows in one’s quiver”. I first encountered him playing bass guitar behind Gabriel Palatchi, then as a nylon string Bossa Nova guitarist with Melody Diachun, then as full on electric guitarist with Melody Diachun’s “Back to the Groove Tour”. On this particular night with Kelly Fawcett he is a stand up bass player (no pun intended). In every performance circumstance he looks like he is having way too much fun. He excels on all his instruments and that probably explains why he is in such demand. I am not sure how he is able to keep up his superb skill levels on all instruments. He must practice constantly, all day, every day. I must ask him about that.

In this day and age we are used to Blues groups being guitar based. You know the usual configuration – drums, electric bass, rhythm guitar and a screaming lead electric guitar backing up one or more vocalists. Kelly Fawcett is the vocalist and guitarist in the group, Doug is the bass player but there is no drummer. To be honest, the absence of a drummer is a plus. Without a drummer there was lots of space in the music to hear the vocals, the finger picking guitar leads and backups, and Clinton’s and Doug’s superb solos.

The night kicked of with a couple of standard tunes. Dr John’s New Orleans inspired Such a Night from the Martin Scorsese film The Last Waltz and Robert Johnson’s Walking Blues. In the latter Kelly played some excellent open G slide guitar. From then on the night was a mixture of Country Blues, Jump Tunes (Let the Good Times Roll, Crazy About My Baby), old time tunes (Nobody knowns Atlanta Like I Do), a novelty number here and there, a Tom Waits number (Hey Little Bird Fly Away Home) and, to brighten up the sonic landscape, a few original tunes (Numbers Blues / The Gamblers Blues and Cheddar). For me there were a couple of standout tunes namely Kelly’s interpretation of Taj Mahal’s  classic Fishing Blues and Clinton Swanson’s baritone Sax exploration of Harlem Nocturne. All in all another classic concert in the Fall Jazz and Blues Series. Here are some images from the evening ……..

          

As always, thanks must go to the volunteers, the organizing committee, The Burrito Grill for feeding the musicians and “A B&B at 228” for the musicians lodgings.

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Gabriel Palatchi at Studio 64 in Kimberley

Gabriel Palatchi Trio at Studio 64 in KimberleySeptember 8, 2018, 8pm. This is the first concert of the 2018 Winter Jazz and Blues Concert Series.

Keyboardist Gabriel Palatchi is a citizen of the world. He is an Argentinean with Jewish, Turkish and, given his surname, Italian Roots. He is a ceaseless wanderer touring the world, performing and studying the many musical cultures  he encounters along the way. His recent forays into Spain and Morocco included the study of Flamenco piano music.

“Born in Buenos Aires, Argentina in 1982, Gabriel Palatchi started his first piano lessons at the age of 8. He spent his formative years in Buenos Aires studying classical piano, and being mentored by some of the great maestros of blues, tango, jazz and Latin jazz.  After graduating in 2007 from Berklee international School, Argentina, he spent several months in Cuba where he studied Latin jazz with the master Chucho Valdez. Gabriel subsequently became a composer when he moved to Tulum, Mexico in 2008, and his life experiences up to that point influenced the composition and production of his first solo album “Diario de Viaje” (Travel Diary) in 2010. The album received critical acclaim from music industry journals, and was chosen as one of the best Latin Jazz albums of the year by JAZZ FM Toronto.   He went on to record a further 3 albums that cemented his unique sound, culminating in his 4th and latest album, “Made in Canada” (2017), which also happens to be his first live recording. Gabriel’s songs are a representation of the many cultures which have influenced his music over the years, with a deep core in Latin Jazz.

For the past 8 years Gabriel has been performing at major international music festivals, touring throughout Mexico, Canada and Europe.  His music is broadcast across radio stations all over the world from Alaska through to South America, Europe, the Middle East and Australia  It has been reviewed and featured in the Rolling Stone Magazine, Latin Jazz Network, Ejazznews, All About Jazz, Jazz Caribe, The Toronto Star, Salsa Son, Timba Columbia, Newstime South Africa and inside World Music, among many others.

“Trivolution” was selected as the Gold Medal Winner in the Composer/Album categories; achieved TOP TEN status in the 2015 “Global Music Awards”, and also featured in the “Emerging Artists” section of the April 30th, 2016 issue of BILLBOARD MAGAZINE.”   – This info is from Gabriel’s website.

In the past he has performed in Kimberley. In 2015 his band was included in that year’s Jazz and Blues Concert series ( http://www.rodneywilson.ca/2015/09/13/its-a-long-way-from-buenos-aires-the-gabriel-palatchi-band/ ). I must commend the organizing committee for setting aside their “no repeats rule” to invite Gabriel back to the Studio 64 stage. In that particular performance Gabriel was joined by West Kootenay musicians Doug Stephenson on bass and Tony Ferraro on drums for a collection of some familiar material (Juan Tizol’s Caravan and Ahmad Jamal’s Poinciana) along with his original compositions. This time around the other members of the trio were Cameron Hood from Vancouver on 6 string Tobias electric bass and Luis “El Pana” Tovar on drums. Luis is originally from Venezuela and is now a resident of Calgary. The program for the evening was all original material. As can be imaged, rehearsing such a scattered group of musicians is a challenge. It was done by exchanging mp3’s across continents followed by only three days of rehearsals before the tour. Cameron assures me that the music is fiendishly difficult and for him to nail the exotic piece “in sevens” required many hours of solo practice. Cameron explained that the piece was in 7/8 (perhaps a nod to Gabriel’s Turkish roots) but it was complicated by mirror images of the rhythm. 123 4567 followed by 1234 567 – three and four followed by four and three. On top of that there was all the salsa, Latin and funk overtones. I confess as an Anglo the names of all the Spanish tunes just flew by me. “Oh yeah. There was that thing in sevens. Then there was the Flamenco piano piece and the piece with fragments of Astor Piazolla’s Libertango but as to the names of the tunes they just flew by”. No matter. The music was a tour de force of Latin, Funk and not to be forgotten Nuevo Tango.

In Argentinean Nuevo Tango, drum kits do not figure prominently in traditional performances . Luis “El Pana” Tovar stepped up to the plate magnificently, particularly in the Tango pieces. That style of music is noted, among other things, for its shifting rhythms and structural complexities. It’s enough to make you wonder if a thorough grasp of rhythm requires being born south of the equator. Luis is a noted conga player and percussionist and that may account for some of the musicality in his performance. Or is it perhaps because the guy appears to be almost seven feet tall? Maybe from that height the rhythms of the world are more understandable.

Here are some images from a spectacular night of music.

                       

As with the previous concert in 2015 the music was outstanding. So much so I hope the organizing committee will once again put aside “the no repeats” rule if Gabriel decides to return.

As always, thanks must go to the volunteers, the organizing committee, The Burrito Grill for feeding the musicians and “A B&B at 228” for the musicians lodgings. Oh, by the way, the bassist Cameron Hood would love to come back this way with some of his fellow Vancouver musicians.

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Tony Ferraro – The Man in the Middle

On stage, drummers are rarely up front and in your face. Usually they are buried at back, in the middle, or occasionally off to side. The best they can hope for is a raised stage behind the band. They may not always be seen but they usually are heard. Some might say that is not necessarily a good thing. By and large they tend to be loud, abrasive, and dare I say it, not always musical. However, there are exceptions and Tony Ferraro is one of those exceptions. He is the quintessential “man in the middle” with precise deft splashes of technical skill that perfectly fits the musical situations at hand. He is capable of enough powerhouse drive to fuel a big band. He can be as funky as all get out in an organ trio, or softly pulsing in a Jazz or Bossa Nova setting. He is a resident of the West Kootenays and is basically “the go to drummer” in the region. If you want to take a band to the next level then Tony is your man. We have been very fortunate in this area in that we often get to see, hear and experience such a master musician at play. He was recently in the area with Melody Diachun and her jazz group and a short time later with Lester McLean / Michael Occhipinti’s Jazz/Soul/Funk outfit.

Last June the extra fine vocalist Melody Diachun was in the Studio Stage Door in Cranbrook as part of her “Get Back to the Groove Tour”. The initial kick off concert of the tour was at a Jazz Festival in Calgary. Cranbrook was the stop before the Kaslo Jazz Festival and then all points West down to the coast. With the exception of Cranbook the group played to sold out crowds. As usual Melody surrounded herself with a group of first class musicians that included Tony Ferraro on drums, Doug Stephenson on guitar, Mike Spielman on bass, Clinton Swanson on saxes and the Edmontonian Chris Andrew on keyboards. True to her promise of “getting back to the grove” she kicked off the evening with ZZ Top’s Sharp Dressed Man and an her own original Get Back to the Grove. What I like about the Stage Door as a venue is the opportunity to really hear the music. There are no impaired sight lines, no idle chatter or bar room clatter. It’s just about the music, the musicians and the the audience. The little nuances that might be easily passed over in other environs are there to be appreciated. When Melody picked up the shakers and beat out a groove Tony was right there behind her doubling the rhythm on his snare. The resulting pulse was mesmerizing. When Clinton Swanson rolled off the end of a solo guitarist Doug Stephenson was right there to pick it up and extend the melodic line that Clinton was exploring. And so on. The evening just rolled on with magical vocals and sparkling solos. Here are some more images from the evening:

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Tucked away in a little strip Mall in the old Big Picture electronics store in Cranbrook is Auntie Barb’s Bakery. It is the brain child of Barb Smythe and Todd DeBoice  and it operates as a Bakery and Bistro that also caters to Banquets. The establishment does have another life. At the back of the main room is a  professional stage and performing area complete with a black backdrop and professional stage lighting. For musical aficionado Tod DeBoice it is dream come true. He now has an opportunity to hear and support musicians of his choice in an environment that will show case their talents to the best advantage. A couple of bands slipped into town without my knowledge and performed in this new Cranbrook musical venue. However, I stumbled on a poster in the local library advertising the venue. The names on the poster,  Michael Occhipinti,Tony Ferrero and Felix Pastorius immediately caught my eye. Michael is multiple Juno nominee and top of the pile guitarist from Toronto. I have no hesitation in suggesting that Michael is the most “over the top” talented guitarist in Canada. Over the past year or so he has performed several times in the area including a tour with the outstanding Italian vocalist Pilar.  Tony Ferraro, as I mentioned above is the “go to drummer” in the Kootenays. Although I didn’t immediately realize it at the time Felix Pastorius is the son of the late great bass player Jaco Pastorius. The leader of the band Lester McLean (vocals, guitar and alto sax) was an unknown to me but given the company he was keeping my expectations were pretty high.

Wednesday, August 22, 2018, 7:30pm – Lester McLean Soul / Funk Band featuring Michael Occhipinti at Auntie Barb’s Bakery.

At the opening of the show Michael Occhipinti warned me that this wasn’t going to be a jazz performance. After it was over I begged to differ. It may have been masquerading as Soul and Funk but it was all jazz to me. Of course there were the Stevie Wonder, James Brown and Arethra Franklin hits and a sprinkling of Classic Rock (Drift Away and Harvest Moon). On a blues shuffle Michael Occhipinti did some romping around with his guitar set to an organ effect that made you look for the keyboard that wasn’t there. Lester played some searing alto sax solos and the giant in the back (Felix) played some blistering solos and backups on his Vinny Fodera six string bass. At one stage he was trading riffs with Michael that were over the top brilliant. This was an outstanding night of music.

           

New York may have The Blue Note and the Village Vanguard but Cranbrook has Auntie Barb’s Bakery. What more could we want.

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Sean McCann – Life after GREAT BIG SEA

Just a few years back (1993 to 2013) GREAT BIG SEA was an almost unstoppable force in Canadian East Coast music. Over a twenty year period they dominated the scene with their mix of Newfoundland traditional music and rock and roll sensibilities. A founding member, and key performer, in the group was Sean McCann. Sean is very up front about his motivation to perform. It was about “booze, sex and rock and roll”. But every thing has a price and by 2013 he knew, for his health and family situation, he needed to get off the “Party Bus”. He quit the band and relocated to Ottowa – “That’s where all our tax money goes, so why not.”  On his retirement from the band he noted he had been on the road with Great Big Sea  for 20 years….. He was 46 years old and it was time to make a change. Great Big Sea struggled on for a while but it was not the same . The band is now in happy retirement. The two key performers, Alan Doyle and Sean McCann, while still tipping the hat to the “Great Big Sea Repertoire”,  have gone onto solo careers.

For this evening, Sean kicked off the night in true Newfoundland fashion with an acapella sea song and followed that up with a collection varied material from his own stock of original songs and a few Great Big Sea staples thrown into the mix. Like all good singer/song writers Sean is essentially a story teller and the dialogue in, and between the songs wove the evening into a tapestry of his life so far. For the most part of that life he has traveled with his favorite guitar “Brownie”. A beat up old Takamine Dreadnought that shows the many scars of a hard life on the road . It is emblazoned on the deck with Sean’s mantra “Help Your Self”. To round out the team there was his second DADGAD guitar, a Takamine Jumbo, and his Bodhan (an Irish Frame drum). Part of the tapestry of the evening included the drinking song Red Wine and Whiskey and his recovery song Doing Fine. On the later there was some especially fine finger picking on the DADGAD guitar. Here are some images of a fine, intimate evening of story telling…….   @@@@@@@@@@@@@@

Open Mic Session at the Bean Tree

Sunday January 28, 2018 12:30 – 3:30 pm: OPEN MIC AT THE BEAN TREE IN THE KIMBERLEY  PLATZL hosted by Bill St Amand

This is a throw back to the good ole’ days when the Bean Tree was pretty well the only venue offering live music on a regular basis in Kimberley. Sound wise and audience wise this is probably one of the best, if not the best music room in the area. For musicians it is a joy to perform in a great room for quiet attentive audiences. This second session lived up to those expectations with performances by Bill St.Amand (guitar and vocals);  Alphonse Joseph (“Fonzie”) on his new Taylor guitar with vocals; Rod Wilson on 12-string guitar, vocals  and percussion; Wally Smith on Irish Whistles, button accordion and percussion; Lane on guitar and vocals and Jordan Vanderwerf on guitar and vocals. Here are some images from this relaxing, family style afternoon of acoustic music.

 

Once again, this was so successful that Bill will be hosting another open mic next Sunday February 4, 2018, 1-4 pm. All patrons and musicians are welcome.

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Dean Smith Quartet at Frank’s Restaurant

A fine and mellow Christmas at Frank’s Restaurant in Cranbrook with the Dean (Dino) Smith Quartet featuring Dean Smith on Guitar,Trombone and Vocals; Zach Smith on Alto Sax;  Ben Smith on Bass and Guitar and Jared Zimmer on Drums. The favorite Christmas carols, pop songs and show tunes of past eras were all there – We Three Kings, Let it Snow, Frosty the Snowman, Walking in a Winter Wonderland, Dreaming of a White Christmas, Joy to the World, Jingle Bells and Greensleeves and many, many more. 

  

Saturday, December 23, 2017 may have been very frosty outside (minus 20 degrees centigrade) but inside Frank’s it was was warm, cosy and very “Christmassy”.

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Deja Vu all over again

From the get go, it was a full night of rock and roll and reggae. Even the poster had a 1968 vibe. The first band up was The Choice,  featuring James Neve – guitars and lead vocals; Rick Parsons – back up vocals and multiple keyboards and Brian Hamilton – drums and back up vocals. They served up a full platter of rock and roll favorites and in the process punched a lot of nostalgia buttons in the audience. James Neve is probably better known as a singer / song writer and was a key member of the band 60 Hertz. He also masquerades as a wayward solo performer known as Lonesome Jim. I get the impression that for this night James was living the dream of a 1968 rock and roll musician. He looked so happy………  Rick is also a well known local musician who just loves to hammer away at the keyboards. That gutsy, funky organ sound is no longer a feature of modern rock and roll and the scene is the poorer for it. It’s nice to have it back in the sonic arena and hear it bouncing off a dance hall wall. Who needs a bass player when you can have a full throttle organ doing the job?  Brian Hamilton is just back in the area and rounds out the band with his “in your face drumming”. For just a trio this band generates a lot of music and a lot of excitement.

  

The Choice traded off one hour sets with the Reggae band The Meditations. The band featured the young Moroccan musician Mehdi Makraz on lead guitar and vocals. Mehdi has been in the area for a while and at a recent Summer Sounds concert in Cranbrook he played electric bass with The Dark Fire Cloud and Lightning Band. The back up vocalist Syama Mama was also featured with that band. The drummer with the mandatory dreadlocks was Morgan and along with the well known local musician Peter Warland on electric bass locked down the rhythm section. Randy Tapp is a local musician and dance instructor and he played Alto and Tenor Saxes. Normally the band has a keyboard player (Landon) but he was not available for this performance.

  

At the intermission, if that’s the right word, the catering crew from the Green Door dished out Tacos for the dance patrons. After that it was back to the music. More vintage rock and reggae spiced up with some original compositions from Mehdi and his band mates. Here are some more images from the evening.

            

The only thing missing from the evening was a Creedence Clearwater Revival tune, but as James Neve explained, there were so many great tunes and so little time that with much regret the CCR tune had to fall on the cutting floor. Better luck next time.

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SWEET ALIBI – House Concert

SWEET ALIBI HOUSE CONCERT Wednesday November 15, 2017, 7:30pm at 5768 Haha Creek Road, Wardner.

With the possible exception of Classical Chamber Music, small group truly acoustic performances are pretty rare these days. Even “folk” musicians “plug in”. The expectation of audiences, regardless of the music genre  or the performance venue is for the music to be amplified. The Sweet Alibi  house concert at Van and Shelagh Redecop’s place on Wednesday night is about as close as one can get to an acoustic performance.

The opening act, Mismatched Socks,  was 100% acoustic. No one plugged in and none of the vocalists were “miked”. This local family band  of related siblings and cousins have been performing around the area for a couple of years now and features Grace Cleland on mandolin; Rachel Cleland  on upright bass; Jason Cleland  on violin;  cousins and fellow siblings Rachel and Meaghan Gaudet on percussion and guitar. All musicians double up on vocals. This was the perfect venue to hear the sweet harmonies of the vocalists against the soft musical back drop of the accompanying instruments. They did a short set that included Rip Tide, Muddy Waters, Phillip Phillips  Home,  and the Lumineers  Hey Ho.

        

On the other hand Sweet Alibi did “plug in” their guitars but the vocals were 100% acoustic and the balance between the instruments and the vocals was absolutely perfect. The vocal harmonies were to die for. Having performed in the area last April this is their second concert at Van and Shelagh’s place. The band of Amber Rose – guitar, vocals and percussion; Michelle Anderson – banjo, vocals and guitar; Jess Rae Ayre  – guitar, vocals, percussion and harmonica were joined by bass guitarist Alistair Dunlop (It is rumored that Alistair first met the ladies in a Winnipeg North prison). The band performed  selections from their numerous recordings and it included their wonderful version of Bob Dylan’s Gotta Serve Somebody and their tribute to the undefeated rodeo bull  Bodacious.

Here are some more images from the evening.

            

Thanks should go to the musicians of Sweet Alibi who spend so much time on the road touring to entertain such small, but welcoming audiences. Thanks to the “Cleland Clan” for coming out on a school night to perform  and thanks also to Shelagh and Van for hosting the concert, housing the musicians and providing the wine and delicious snacks.

We should do this again some time……..

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