Way, way back in the days before laptop computers were even in the realm of SciFi Gunther Schuller coined the phrase “Third Stream” to describe the emerging musical hybrid of Jazz and Classical music. The idea has probably lost relevance in this day and age and yet, the idea of “musical streams” is as good a way as any to describe the music scene. In the local sense there is “mainstream” music that is largely the focus of the Key City Theatre, various educational programs and associated festivals. Without wishing to be unkind this is a somewhat bland amalgam of just about anything that passes for music these days. Then there is the testosterone driven “heavy metal rock” stream that seems to have found a new home in the Byng Roadhouse. This music is  certainly not bland but rather goes to the opposite extreme where audiences risk deafness and burst eardrums at almost every performance. Then down a notch from that is the “open mic / jam session” stream  that is mostly classic rock with bits of folk/rock and country thrown into the mix. There is a fourth stream that flows mostly under the radar stream. This is usually very original, intelligent,  and, usually, acoustic music (whatever that means these days) and is practiced by a huge number of wandering performers and troubadours who scratch out a marginal living as travelling musicians.  Over the years Gord Johnson and Terry Miller have promoted a superb number of concerts in the Beannick Subscription Concert Series  that utilizes this important source of talent. Also over the last few years the La Cafamore String Quartet  from Nelson has toured the area regularly with classical programs that are definitely outside the box. All of the above utilize established concert halls and licensed establishments. What is new on the local scene, and one that opens up a whole new palette of sonic sensibilities, is the house concert series sponsored by Jen and Darin Welch at the Driftwood Concert House. Jen and Darrin also dip into that pool of travelling musicians and their primary focus appears to be the promotion of the singer/song writing tradition. Dave Newberry and the Nautical Miles was the fourth house concert in the series. I attended the previous concert by Belle Plaine and that was a wake up call for me as to the potential of the house concert concept. For this, the latest concert in the series, David Newberry and the Nautical Miles from Vancouver delivered an evening of superb acoustic music. A step away from the almost worn out standard rock quartet (bass, drums, rhythm and lead guitars) the band utilized the talents of Tim Tweedale on a Weisenborn guitar ( Weissenborn ) and Lucus Schuller on a muted drum kit to give musical textures that are virtually unheard in this day and age of over amplified music. The music was subtle, well rehearsed and arranged with a wide dynamic range that was very pleasing to the ear. The band was rounded out by Corbin Murdoch playing a beautiful guitar built by Ed Bond of Vancouver (Tinker Guitars ) and Simon Rotheisler on electric bass. Song writing and vocal credits were shared by Corbin and special guest David Newberry both of whom drew inspiration from accident, incidents and the world around them. Their world seemed to be full of humor, issues and, thankfully, an absence of youthful angst. There were some whimsical songs  such as I’m Sorry Dude, a song about Jack Kerouac (So it Goes), a murder ballad (Slow) and a wonderful anthem She was my Lover, a Pretty Good One for a While, that  featured a rousing chorus. The songs were excellent, the sound superb and it was a thrill to hear every whisper and nuance of the music that was being spun out before your very eyes (and ears). Tim Tweedale’s playing on the Weissenborn was exquisite and I would have liked him to have done more than the one featured instrumental.  Of special mention is the drummer Lucas Schuller. It is extremely rare to hear a drummer who actually knows the meaning of the phrase “musical dynamics”. From whisper soft strokes with brushes and bundles to accented sticks and mallets he is a drummer well worth a listen.  Try and take in one of these house concerts over the next little while and I guarantee you will be reluctant to ever again attend concerts in any other venue. Here are some images from the concert (click for a larger view) : The next Driftwood House Concert  will be on Sunday, April 28, 2013: Christa Couture w/- Jess Hill from Vancouver. Check their websites at Chris Couture  Jess Hill

PS :  a  special note – The  Rayco Weissenborn guitar played by Tim was built in Smithers BC  ( Rayco )

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