YouTube Pick (#30) – Kevin Crawford and John Doyle

What can I say? The whistle player is Kevin Crawford of LUNASA . That band performed here in Cranbrook about a year ago. The fiddle player who is doing nothing is Martin Hayes. He is  an outstanding fiddle player from Ireland. The guitar player is John Doyle.  There’s nobody quite like John Doyle, he is a beautiful driving rhythm player. He plays in Dropped D and he is all over the neck dropping in counter melodies, bass runs and syncopations like you wouldn’t believe. Listen to the switch up just beyond the 6 minute mark. Doesn’t that nearly unseat you? Maybe one day we will get to hear him here in Cranbrook. After all, over the years we have heard some of the great legends here in Cranbrook so why not?

What I like about this music is that there are no false theatrics. Just driving music that speaks for itself.

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YouTube Pick (#29) – Chloe Chua

By definition a Child Musical Prodigy is a young person capable of playing music at an advanced technical level with the interpretative and emotional maturity of an adult. The most famous Canadian prodigy in the recent past was pianist Glenn Gould. The most famous international prodigy, also in the recent past was Yehudi Menuhin. Both musicians started playing and performing at a very young age. Yehudi started violin lessons at age four. Prodigies are rare but not unheard of (pun intended). The big challenge for these gifted musicians is to be taken seriously and not be mistaken for “a monkey see monkey do” circus performer. Another challenge is to avoid “burn out “. A significant number of child prodigies fade into relative obscurity in later life. Having said that while their stardom is in assent in their early years it is startling to see and hear them perform. The question that always come to my mind how do they do it? While the rest of us mere mortals struggle to play a precise and accurate musical scale that can past critical muster there are children out there playing at a level that we can never achieve. It wouldn’t matter if we practiced twenty hours a day it would not happen. It’s just not fair!

Here is violinist Chloe Chua at the age of 11 accompanied by 20 year old Kevin Loh on classical guitar playing Astor Piazolla’s ‘Café 1930’ from his Histoire du Tango suite. Chua was the First Prize winner in the junior category of the 2018 Yehudi Menuhin Competition in Geneva, Switzerland. Loh, now 20, studied at the Yehudi Menuhin School in London for seven years (partially funded at the outset by none other than the Rolling Stones!).

As I said….. It’s just not fair.

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Heritage Lounge Song Writers Circle

 

Get a bunch of musicians together in a room, on a bus, on a train or around a camp fire it is almost inevitable that at some time during the day, the evening or night a song circle will happen. It’s just a natural way to share songs, tunes, new compositions and strut one’s musical chops. It provides an intimate atmosphere for everyone to enjoy and appreciate the music. The usual song circle happening is somewhat spontaneous  and not meant to be taken as a professional performance. But, having said that, why not? Why should only musicians have all the fun? So that was the premise of the Song Writers Circle at the Heritage Inn Lounge on Friday December7, 2018. So, with that in mind a group of musicians from a variety of back grounds came together to share their latest offerings with each other before and an appreciative audience. James Neve (song writer and classic folk/rock musician) stepped away from his band The Choice to host the evening and kick off the night with a little social commentary in his song Joe Hill. If I remember correctly Joe Hill was a Swedish immigrant to the USA in the first half of the last century and was a major organizer of the Industrial Workers of the World (The IWW, other wise known as Wobbolies). Joe came to untimely end when he was executed on November 19, 1915 in Salt Lake City Utah on charges of murder. World War I was in full swing, if that’s the right word, and at the time labor unrest was sweeping the world. Capitalist societies were running scared so it is easy to believe that the authorities manufactured a trumped up charge followed by a swift execution to get the likes of Joe Hill out of sight and out of mind.  Doug Mitchell is a former educator with a tendency towards songs of social commentary. His first offering of the evening was Laughter of the Heart. Heather Gemmell is an attractive  young woman with a back ground in hard rock / blues and mellow Blue Grass pickings on guitar, banjo and dobro. As an employee of the City of Cranbrook she has some responsibility for the maintenance of the the city’s parks and cemetery and that may have been the inspiration for her songs Ghost Town and Resting Place. I haven’t heard Heather perform for a while and for me her guitar picking seems to be going from strength to strength.Tim Ross, for the want of a better description, is an old style cowboy who has been known to rock out in the band The Bison Brothers. He is a singer/songwriter/guitar slinger who hails from Wycliffe. His day job as a natural resources consultant, which translates to “cowboy with a degree”, grants him the privilege of riding the range and making a living in the saddle. He also ranches, raising grass-finished beef. His  songwriting influences range from rock n’ roll and blues to rockabilly and cowboy songs. Naturally, as a working cowboy, his song Worktime resonates with his life experiences. Darin Welch is a singer songwriter in the classic Bob Dylan / John Prine tradition and to complete the first round of the circle he offered Transition City.

   

Round and round the circle went with more songs of social commentary, humor, nostalgia and life experiences. Songs included were I Will Never Know, A Night for Holding on, Seek the Light of Day, Please Take the Wheel (James Neve); Open Happiness – Open up a Coke, Get Use To It, Prairie Oysters, Wish I was Hung Like My Brother Dale (Doug Mitchell); Mountain Home, Kill Them Twice, One Light Sound (Heather Gemmell); Time Flies – When you are Bummed Out Too, Limousine, The Light in Your Eyes, My Baby Won’t Ride in My Truck No More (Tim Ross); A Matter of Time, Wilderness, Sparrow, Pretty Water (Darin Welch). They collectively finished up the evening with group versions of Ry Cooder’s No Banker Left Behind led by Doug Mitchell; Neil Young’s, Heart of Gold, led by James Neve; Rocking in the Free World, led By Tim Ross and finally Bob Dylan’s Wagon Wheels led by Darin Welch. It was a wonderful night of music and one I hope will be repeated again in the near future. Here are more images from the evening:

                  

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Cecile Larochelle – “Fine and Mellow”

This was the third concert in the Fall Jazz and Blues Series  and it was a fine evening of mainstream jazz with vocalist Cecile Larochelle, Don Clark (Trumpet and Fluegelhorn), Paul Landsberg (Guitar), Rob Fahie
(Bass) and Graham Tracey  (Drums). The evening kicked off with a straight ahead instrumental version of Somewhere there’s Music. Cecile  sang Sunday Kind of Love and from then on out it was an evening of mostly familiar songs with solid solos from the members of the band.  Songs included Dancing Cheek to Cheek, Thought About You, Honeysuckle Rose (featuring some great brush work on the drums and Wes Montgomery riffs on guitar), Stormy Monday, Sweet Georgia Brown (great bass solo), This Masquerade (nice Fluegelhorn solo), Roberta Flack’s Will You Love me Tomorrow?, Bye Bye Blackbird, Glory of Love / Makin’ Whoopee, Quiet Nights, Do Nothing ‘Til You Hear from me, Autumn Leaves  (with some nice Bass playing), The Nearness of You and the classic Billie Holiday Blues Fine and Mellow. 

With such a fine bunch of musicians on stage it hardly seems fair to single out any particular performer for special mention but for me to hear and appreciate Graham Tracey playing brushes on his drum kit was a real treat. I believe all drummers should have their sticks broken until such times they have mastered the art of playing brushes.


This was the last concert in the season and once again thanks should go to all the volunteers and merchants who without their support the series would not be possible.

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