YouTube Pick (#7) – Two Hands, Four Mallets

I say it way too often but I figure it needs to be said. “There’s more to music than three guitars and a back beat”.  Just a cursory review of the current “music business” reveals that the majority of music performed today conforms to that criteria of “three guitars and a back beat”. It is what is popular and that’s what people and the industry want, so what? I just think it is a shame because there is so much more out there. One of the beauties of the Internet and YouTube in particular has been the creation of a platform for musicians and artists who are completely outside the current popular commercial paradigm. Sure there are a lot of performances on YouTube that conform to the commercial norm but it doesn’t take too many “accidental” clicks to come upon some really odd ball and interesting performances. Musicians busking on folk instruments on the streets of Istanbul; ethnic performances from all over the world; modern classical composers; jazz performances and esoteric mixes of just about anything. My case in point at the moment is marimba music.

From the pages of Wikipedia – “The marimba is a percussion instrument consisting of a set of wooden bars struck with mallets to produce musical tones. Resonators suspended underneath the bars amplify their sound. The bars are arranged like the keys of a piano, with the groups of 2 and 3  accidentals raised vertically, overlapping the natural bars to aid the performer both visually and physically. This instrument is a type of  Idiophone, but with a more resonant and lower-pitched tessitura than the xylophone.

The marimba was developed in Central America by African slaves, and descended from its ancestral African Balafon, which was also built by African slaves. Marimba is now the national instrument of Guatemala.

Modern uses of the marimba include solo performances, woodwind and brass ensembles, marimba concertos, jazz ensembles, etc. Contemporary composers have used the unique sound of the marimba more and more in recent years.

A player of the Marimba can be called a Marimbist or a Marimba Player.”

Marimbas are not really portable instruments. They tend to  be large and cumbersome. They are not instruments that you can sling into a backpack and carry around on a subway. There are more portable versions around but they do not have the quality and caliber of the traditional marimba . For instance, the Vibraphone in Jazz circles is a similar instrument that is played in much the same fashion as a marimba but has a completely different vibe (pun intended) . In a cursory exploration of Marimba performances on YouTube I have found some enlightening and entertaining performances. Here are a couple of selections:

Performed by Kevin Hanrahan
http://www.HanrahanPercussion.com/

It is as good a place as any to start an exploration of Marimba music. It is a well known Classical piece that most people will instantly recognize. The performer looks like he should still be in high school. What I find fascinating is his use of four mallets and the dexterity required to play the constantly changing chordal voicings.

It is a bit of leap to the next, rather long selection, of a composition by the modern Classical Mimimalist composer Steve Reich. Sure it is repetitious, and that is the nature of the music, but within the monotony there is a lot happening. A friend of mine described it as a form of Chinese Water Torture. Of course I disagree. It is one of my all time favorite pieces of music.

On a much grander scale is Steve Reich’s Music for 18 Musicians. To listen to this music one requires an attention span of more that three minutes and one really needs to recover the lost art of really listening to what is actually going on.

I know, I know, enough is enough. Time to move on.

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And now for some humour ……

I could be wrong but I think that the TV series CORNER GAS it is a work of pure genius.  To prove the point here is an insert from the box set of the six seasons of the TV show that could only have come out of Canada.

YOU KNOW YOU ARE IN SASKATCHEWAN WHEN…….

  • Your idea of a traffic jam is ten cars waiting to pass a tractor and combine crew on the highway.
  • “Going South” means driving to Montana.
  • Winnipeg is “back east”.
  • You often reply: “you bet!” or “hell yes”.
  • All the festivals across the province are named after fruits, vegetables, grain or testicles.
  • You’ve gotten a “To Go” drink from the local bar.
  • You’ve stopped by the local bar to cash a cheque.
  • You actually have enough ball caps to match every shirt you own, although you still insist on wearing only one so the others don’t get dirty.
  • The bank teller asks to see some proof of identification and you point to the arm patch on your slow-pitch jacket.
  • You know what “Cow Tipping”, “Garden Raiding” and “Snipe Hunting” is.
  • You design your kids Halloween costume to fit over a snow suit.
  • You’ve gone to the grocery store on a snowmobile.
  • Driving in winter is better because the potholes are filled with snow.
  • Driving in winter is often simply a matter of staying between the fence posts.
  • You’ve attempted to set new land speed records on Saskatchewan highways.
  • You carry a roll of toilet paper in the glove box in case you have to stop and go by the road.
  • You find yourself driving over the longest bridge over the shortest body of water.
  • You discover there are more grasshoppers than people in town.
  • Your radio antenna is an old cloths hanger or a piece of bailing wire.
  • You know what a Prairie Oyster is and how to cook them.
  • You know someone who has accidentally shot himself.
  • losing the sight of the horizon, for even a few seconds, leaves you with that icky feeling of disorientation for the rest of the day.
  • You rent off-season storage space for your snowmobile on a week-by-week basis.
  • You sort your laundry into three loads: greens, whites and green-and-whites.
  • Every birthday you receive exactly the present you most desperately need: a new curling broom.
  • You catch yourself “getting down” to the radio jingles for post-emergent broad-leaf weed control.

Ron Petrie – Saskatchewan Leader Post

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And just in case that isn’t enough here is Rick Mercer’s classic comment on the weather….

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HOME ROUTES HOUSE CONCERT – The Bombadils

HOME ROUTES HOUSE CONCERT – THE BOMBADILS  Wednesday November 23, 2016, 7:30 pm at 8163 Gibbons Road Mayook

In a nutshell this was a concert of brilliant music.

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 Without a doubt one of my favourite recordings is The Lonesome Touch (Green Linnet GLCD 1181) featuring that marvellous Irish fiddle player Martin Hayes and his stellar accompanist Dennis Cahill on guitar. The recording has great sound, great atmosphere, great tunes and as a duo they are absolutely rock solid. Dennis Cahill’s accompaniments are a model of how it should be done. I never thought I would ever have the opportunity to attend a concert and hear music of that caliber. I was wrong. The Home Routes House Concert of the Bombadils was more than a step above that particular recording. As a duo Sarah Frank (5 string fiddle, clawhammer banjo and vocals) and Luke Fraser (guitar, mandolin and vocals) are also absolutely rock solid. Sarah started on violin at age 4 and with Luke graduated from the McGill University Music Program. Sarah majored in classical violin where she shared classes with Cranbrook’s Sarah Aleem.  Luke majored in Classical guitar. The program for the evening was a mixture of  traditional and original Canadian songs and tunes with great vocal harmonies, fiddle, guitar, mandolin and banjo accompaniments. They kicked off the evening with one of Sarah’s original tunes called Hazeldean. This was followed by Luke’s Train in the Night. Other tunes and songs included The Fountain, The Feel Good Times Set, the Newfoundland Sea Shanty Heave Away, Doc Watson’s The Long Journey, and an original song written by Caroline Spence called  Mint Condition. The final tune in the first set was called Squirrels Rule the Day and Racoons Rule the Night and it featured some marvelous instrumental interplay between both musicians that had them slipping in and out of spectacular unison playing. Playing in unison is, in theory, a simple musical exercise but when played up to tempo between some freewheeling solo excursions it is exciting and impressive.

For the second set, in response to some sheet music from the audience, they sight read the Swedish tune  Homage Till En Spelman that they then morphed into one of their regular Norwegian tunes. The performance was flawless. Through out the rest of the evening they played more of the same style of songs and tunes. When they played Black is the Color of My True Loves Hair there was some lively banter in the audience over it’s origins. Was it Scottish or Irish? As it turns out it was neither. It was composed by the American John Jacob Niles in the early days of the twentieth century.

Cranbrook audiences over the last little while have had the opportunity to experience some of the very best musicians that the Celtic world has to offer.  Performances have included the Cape Breton group Coig, Ireland’s Lunasa, both at the Key City Theatre, Blackthorn, Breakwater, Lizzy Hoyt, Jocelyn Pettit Band and now, on this particular evening, in this wonderfully intimate setting Montreal’s The Bombadils. It was a unique opportunity to hear the dynamics and tonal nuances of these two superb musicians. Thanks Glenn and Patricia for hosting this wonderful concert. Here are some more images from the evening.

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A small technical Note: Both musicians play superb instruments. Sarah plays a five string fiddle tuned CGDAE (from the bass to the treble side). Effectively it allows Sarah to cover the full range of the violin and the viola on a single instrument. Luke plays a Collings Dreadought guitar and a Michael Heiden mandolin. Michael, who is one of the world’s great luthiers, has a work shop just down the road from here in Creston. Here is the manuscript for Homage Till En Spelman that was thrown into the arena by a member of the audience:homage-till-en-spelman

Now, as I said it was a brilliant concert and you had to be there but if you couldn’t make it here is a taste of what you missed:

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