Heather G’s Jam #4 – The Blue Grass Session

The gang from MayookHeather G’s Jam – The Blue Grass Session at Ric’s Grill (Prestige Inn, Cranbrook) Friday February 1, 2013 from 7:30pm to midnight.  In a slight departure from previous sessions Heather opted for an acoustic session of mostly Blue Grass music. This was a Elena Yeungsignificant sonic challenge. Blue Grass musicians are notoriously picky about plugging in their instruments. Their preferred mode of sound re-enforcement is to use condenser mics and for musicians to step up close enough to be heard. The idea is to to preserve the acoustic nature of the music. The dancing back and forth of the musicians to the  Mike Hephermicrophones can be a little distracting but in certain circumstances it can work well. Unfortunately the sound characteristics of Ric’s and the crowded stage somewhat compromised the ideal. At the beginning of the evening the audience background noise was almost overwhelming and musicians had a hard time hearing each other on stage. As the evening wore on the musicians found an optimum, audience noise abated and the sound quality improved. Having said all that it was a night of marvelous music with a Annie Hephercapacity crowd. The stage was populated by some of the finest Blue Grass musicians from up and down the valley. From as far away as Creston, Fernie and Invermere. Well know identities such as Mike  and Annie Hepher, Elena Yeung, Steve Jones, Heather Gemmell, Shelagh Redecopp and Keith Larsen kicked off the night with some well known tunes. They were joined by other well known musicians such as Dave Carlson and Bud Decosse, Brian Noer and Heather Gemmell. On a quieter note Sheva (Shelagh and Van Redecopp), 11th Avenue Stopover (Beth Crawley and Rod Wilson) and Daze of Grace (Sharon and Jubal Routley), although not strictly Blue Grass, played acoustic sets that were consistent with the intent of the evening. The outstanding performers of the evening were Elena Yeung with her strong  banjo playing, Heather Gemmel`s vocals on a minor key version of You are my Sunshine, Keith Larsen`s I am a Man of Constant Sorrow, Steve Lungal`s  sing-along selections and Clayton Parsons` reworking  of some old blues styles.

 David Carlson    Shelagh Redecopp     Bud Decosse   Brian Noer     Heather Gemmell    The Thoughtful Swede - Keith Larsen Clayton Parsons     Shelagh Redecopp     Steve Lungall                               Brian Noer and Heather Gemmell

Brian Noer

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Bocephus King at the Byng

Bocephus King, Slack Pine and the Bison Brothers at the Byng Roadhouse, Cranbrook, Monday January 28, 2013, 8pm.

My wife accuses me of losing my objectivity. After every recent show it seems I have nothing but good to say about the performance. Well, I guess it’s because live music away from the concert platform is always good. It doesn’t matter how many train wrecks, if any,  may occur during the performance the intimacy, vibe and the audience interaction are what makes for great evenings. So, I don’t think I losing my objectivity. How can I lose objectivity when I am having so much fun? Case in point; The recent show at the Byng opened with the new local group Pine Slacks featuring Clayton Parsons (guitar and vocals), Connor Foote (guitar and vocals) and Stu Driedger (stand up bass). The sound system was a little harsh, the lighting less than satisfactory and their bass player was dealing with some serious medical pain. Despite the difficulties they pulled it together and delivered a set that included originals such as Echoes, Know My Name, Time, Coyote, How I Met Your Mom, Stay, Grey Cell Doors, Hold On, Waiting to be Set Free, Ducks and a great thumping version of Hangman. Kudos to Stu for hanging in there despite the pain. Tim Ross (vocals, guitar), Ferdy Belland (vocals and Bass) and Colin Righton (drums) are no strangers on the local scene. When Ferdy recently arrived back in town Ferdy BellandTim Ross re-activate their musical partnership in The Bison Brothers. This is a slick, in the best sense, tight rock solid unit. With Tim’s song writing skills, cowboy/rock star/western persona, Ferdy’s hyperactive bass and backup vocals and Colin Righton’s harnessed heavy metal sensibilities any performance is guaranteed to please. On Monday night at the Byng it was no different. Apart from a few cover tunes Tim’s original material was front and center. Songs include My Sister’s Friends, Fish God, My Baby Won’t Ride in My Car No More, Day After Day, Ghost Town, How Come I Never Have any Money, the rocking (“everyone needs a car song”) Rocket 88 and, my personal favorite The Lucky Star. “Bocephus King at the Byng”doesn’t that have a nice ring to it. Despite having a website Bocephus is a  bit of an enigma. The biography on the web site is a masterpiece of non-information. Who is Bocephus King? Where does he  Bocephus Kingcome from? Apart from working out of Vancouver anything else is pure guess work. No matter his music and his five piece band speaks for its self. The band, featuring Bocephus King on guitar and vocals, Wynston Minckler on short scale bass, Paul Townsend on drums, Charlie Hase  on pedal steel and Skye Wallace on vocals, percussion and Melodica delivered over two hours of non-stop grove based music. There were a few covers in there (Don’t Think Twice, Run Like a Fugative ) but it was mostly roots based, and as near as I could tell, original music with a distinct Caribbean feel.This was a great show with good flow, a good grove, very musical (?? a rock band that’s musical) and lots of space for each musician to shine. Charlie Hase’s pedal steel added that extra melodic voice that is often missing in most bands; Skye Wallace’s vocals, percussion and especially her Melodica playing on the old Dean Martin pop classic Sway was a real surprise and a joy to hear. It was a Monday night, traditionally a dead night in the week but the word must have got out because there was good crowd who are  obviously enjoying the Byng’s Roadhouse’s return to the live music scene. Here are some more images from the evening.

 Clayton Parsons   Connor Foote    Clayton Parsons   Ferdy Belland     Skye Wallace    Stu Driedger  Bocephus King     Connor Foote    Tim Ross  Ferdy Belland     Bocephus King   Skye Wallace  Bocephus King     Skye Wallace   Charlie Hase Charlie Hase   Bocephus King  Skye Wallace  Bocephus King.   Connor Foote     Paul Townsend   Tim Ross    Skye Wallace    Bocephus King Skye Wallace    Wynston Minckler    Bocephus King   Bocephus King   Skye Wallace     Clayton Parsons   Skye Wallace    Skye Wallace      Skye Wallace.

So, just remember THE BYNG ROADHOUSE has live music every Friday and Saturday evening with a jam session every Saturday afternoon.

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Apre Ski with (a) the Broken Down Suit Case

Broken Down Suit Case at the Stemwinder Bar and Grill  (Kimberley Ski Hill), Saturday and Sunday, 26 &27 January 2013, 3-6 pm.

 Benjamin Caldwell of Broken Down Suit CaseNow there is a band name with a difference – Broken Down Suit Case. Very apt in a way because that was what these two “Golden Boys” had in their suit case, so to speak, a whole parcel of roots and like minded music from off the road, off the radio, from out of the  Broken Down Suitcase - Benjamin Caldwell & Eric Larocquepast and into the future. Both musicians, Eric Larocque (guitar, banjo and harmonica) and his kiwi band mate Benjamin Caldwell (guitar, mandolin and stomp box) are currently domiciled in Golden. Although they tour extensively in the summer months, winter is a time for more modest excursions.  Hazardous roads and weather conditions restrict their touring to gigs in nearby ski hills and resorts where they get a chance to plough a little powder and perform in friendly environments. In keeping with their rootsy persona their choice of instruments have the well worn look of old instruments that verge 162. Eric Larocqueon being vintage. Not that these guys could afford vintage instruments. Eric play an old (circa mid fifties) Kay Arch top that he says is absolute fun to play. He picked it up on ebay and has spent a small fortune bringing it back to life. His clawhammer banjo started out as a traditional bluegrass banjo that he ended up removing the resonator and back to create his version of an old style / old timey instrument. He has had this banjo for many years. Eric also plays harmonica as both a solo instrument and also in the familiar dental rack that came to favor during  the Bob Dylan / Neil Young years.  Benjamin’s guitar, I believe, is an instrument that he borrowed for the gig. Benjamin Caldwell and his Hathway mandolinThis instrument is so new that it is out of character with their rootsy persona. Check the grain in the guitar top. However, Benajamin redeemed his image with an old English Hathway mandolin that he also picked up on ebay. This round-holed mandolin is a rare beast in this neck of  Stomp Boxthe woods. Most local players prefer the florid f-style mandolin with its characteristic bark and chop. These are do-it yourself guys. A handy coffee cup or beer bottle does service as a slide when required. The banjo has a glued in guitar pickup, the mandolin has an appropriate microphone  duck-tapped to the top and for  Broken Down Suitcase - Benjamin Caldwell & Eric Larocquepercussion a pair of cowboy boots and a miced home made stomp box does the trick. Their repertoire tends towards the folksy end of the spectrum with the likes of Woody Guthrie’s Union Maid (when was the last time you heard that, if ever, in live performance). A few modern covers such as Orphan Girl,  and Neil Young’s Helpless and a sprinkling of originals were thrown in for good measure. As usual the mood of the room was laid back and the scene sparkled with the odd, the cute, the interesting and the down right good looking. He are some images from the Sunday afternoon session.

Broken  Down Suitcase - Benjamin Caldwell and Eric Larocque     The dancing Girl       Eric Larocque  Eric Larocque snd his old time banjo       A cool, cool shirt       Benjamin Caldwell  Benjamin Caldwell      Soraya Pillay - my all time favorite bartender     Eric Larocque   Eric Larocque - a very old fashioned tattoo            An old friend - Orest Federko     Benjamin Caldwell                                      Heather Gemmell and fan

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Apre Ski with Heather Gemmell

The Stemwinder Bar and Grill at the Kimberley Ski hill  is well into their after ski music program. 60 Hertz and The Pursuits have already performed there and numerous local performers are scheduled over the coming months. This past weekend it was Heather Gemmel’s turn.

Apre ski with Heather Gemmell, The Stemwinder Bar and Grill, Kimberley Ski Hill, Saturday and Sunday, January 19th & 20th, 2013, 3-6pm.

Originally Heather was scheduled to perform with the second edition of her band THE PEAKS but due to unforeseen circumstances it tuned into a solo gig. Despite the need to fight off a cold, Heather was in fine form with a number of covers that included Heart of Gold  (Neil Young), Learning to Fly (Tom Petty), Angel from Montgomery ( John Prine), Can’t Find my way Home, some blues, some BlueGrass (from her collaborations with THE MESSY WILLOWS) and a selection of her original material from her CD THE ROAD. Her finger picking guitar work on The Road was especially fine. Heather also shared her recent explorations into the fret board tapping styles with a tune she simply calls The Tapping Song. This is the only instrumental I can recall Heather playing and I hope it is the beginning of a trend. Very few, if any, singers will risk the challenges of performing instrumentals. That is a shame because a few instrumentals thrown into the mix adds variety and pacing to any musical set.  As usual the vibe in the room was relaxed and laid back; a mood well in keeping with the afterglow of a day on the ski hill. Here are some images from Sunday’s performance:

 Heather Gemmell     Heather Gemmell    Heather Gemmell   Heather Gemmell    Heather's "bestest" jeans and prayer rug     Heather Gemmell    The Tapping Song            The Tapping Song      The Tapping Song            The Tapping Song         The Tapping Song  The young dancer

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Apre Ski with The Pursuits

Apre ski with The Pursuits at the Stemwinder Bar and Grill, Kimberley Ski Hill, Saturday / Sunday, January 13th and 13th January 2013, 3-6pm.

The Pursuits - Julika Urlich (guest), Marlo (15), Connor, Fraser, Declan (9) and PattiFraser Armstrong is older than dirt, or so he says. That may or not be true but one thing for sure he has been on the music scene since prehistoric times (that is any time prior to the closing of the Sullivan Mine). He is a good buddy of Tim Ross and along with Ferdy Belland has played in a number of Tim’s musical organizations over the years. His latest musical adventure is a family band that includes sons Connor on keys, Declan on drums & percussion, daughter Marlo on bass and wife Patti on alto sax.  The family was joined by  special guest cellist Julika Ulrich. Julika is an exchange student all the way from Germany.  Fraser takes the lead with his instantly recognizable voice, lead guitar and percussion.The band has played a number of gigs but this is their first step into the professional league. Their repertoire is a mixture of classic rock, pop and jazz and during the afternoon the ski crowd was treated to Autumn Leaves, Glory Days (Bruce Spingsteen) Dock of the Bay (Otis Redding), Georgia on my Mind, Born to be Wild, Take Five (the classic Paul Desmond Jazz tune in 5/4), Kung Fu Fighting, Learning to Fly (Tom Petty), Super Something Blues (young Declan’s ode to a super hero), I’m a Blue Bird (Cold Play), I Want to be Sedated (The Ramones), I’m a Believer (The Monkees) and in among a whole stack of tunes there was a Neil Diamond tune done in a punk rock style. Not to be forgotten were a number of Fraser’s original tunes.

Leader of the pack - Fraser Armstrong     Connor Armstrong    Marlo Armstrong Patti Armstrong    Julika Ulrich     Fraser Armstrong    Declan Armstrong     Connor Armstrong    Patti  jiving  Marlo Armstrong    Fraser Armstrong    Julika Ulrich

Fraser ArmstrongFraser may be the patriarch and the ladies are especially fine but the cuteness award has to go to that master of rhythm and sartorial elegance young Declan Armstrong.

 Declan Armstrong

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Local Live Music X3

So ends a crack-a-jack weekend (Friday / Saturday/ Sunday Jan 4-6, 2013) of live music.

Heather G’s Jam at Ric’s Grill (Prestige Inn, Cranbrook) Friday January 4, 2013 from 7:30pm to midnight.  featuring local performers. As usual there was a great turn out of performers and patrons and a significant amount of audience participation on percussion. Performers included a shakedown performance by Heather Gemmell, Brian Noer and their new drummer Podier Atto (“P.J.”), DAZE OF GRACE, Jon Bisset, EAST MEETS WEST (Tom Bungay and Gene), Dave Prinn, Mark Casey, Steve Lungal, Rod Wilson, James Neve, Connor Foote, Clayton Parsons  and those fine ladies of BlueGrass fame (Cosima Wells, Shauna Plant and Heather Gemmell). Their performance of Stephen Foster’s You are My Sunshine in a minor key was absolutely stellar. Here are some images from the night.

Heather Gemmell    "P.J." THE PEAKS new drummer     Brian Noer   Mark Casey (Folk Singer with Attitude)    Sharon Routley of DAZE OF GRACE     Jubal Routley of DAZE OF GRACE    Rod Wilson on percussion James Neve    Jon Bisset    James Neve  Clayton Parsons     Connor Foote    Clayton Parsons   Cosima Wells    Shauna Plant    Rod Wilson on Penny Whistle (photo: Katie Green)     Cosima, Heather and Shauna           "You play the down beat ..."        Lorraine Casey and Shauna Plant           Ric's Drum Choir (Katie Green & Sharon Routley)

Tim Ross hosting the Open Mic at BJ’s Creekside Pub in Kimberley,
Saturday, January 5, 7:30 pm.

On the local music scene BJ’s is a shining light of live music for local musicians and patrons. During the winter months there is live music nearly every Saturday evening. That includes an “open Mic” session on the first Saturday of the Month.  Tim Ross, ably  Tim, Colin and Furdy - The Bison Brothersassisted by Colin Righton and Ferdy Belland (The Bison Brothers) managed attract a plethora of local talent. Musicians included two of the area’s premier singer / songwriters Garnet Waite and James Neve,  fellow musicians Connor Foote, Brent Ross,  Rod Wilson, DAZE OF GRACE,  Bill St. Armand, Brian Morris and the absolutely stunning back up vocalist “Irene”. Kimberley residents are noted for a crash and burn approach to a night out and are usually home in bed ten o’clock. Not this night. This session, like Heather’s Jam at Ric’s the previous night, rolled right on past midnight.

Brent Ross   Brian Morris    Garnet Waite  Irene Laurendeau   Connor Foote    Irene Laurendeau

Apre Ski with 60 Hertz at the Stemwinder Bar and Grill (Kimberley Ski Hill), Saturday and Sunday, January 5 & 6th, 2013, 3-6pm. This is one of an ongoing series of regular musical events held at the Stemwinder though out the ski season.

It has been said many times before that this is “The Band” of note in the East Kootenays.  60 Hertz is a well oiled musical machine that is way more than just four older guys try to relive their youth. A bygone era may have been their initial inspiration to play rock music but from there on in they are their own musical muses. 60 Hertz with Rob Young on lead guitar, Dave Birch on bass, Marty Musser on drums give substance, voice and  Rob, James and Dave of 60 Hertzpunch to the original songs and tunes penned by James Neve. This is an innovative intelligent rock band with great songs, great arrangements that they play so incredibly tightly. So, after a day on the slopes it is a real treat to be able to kick back, enjoy some food and refreshment and hear the music of this fine band. And, as an added bonus, kids can mill around enjoy live music up front and personal in a family environment. How ofter do kids get to sit down with their parents, friends and others and listen to live music in a civilized setting? I suggest almost never.  As usual the band delivered their repertoire of, by now well known, original songs such as Desperate Train, Don’t Get me Wrong and Time Stands Still , and also a healthy serving of new material. These guys continue to write and rehearse on an almost continuous basis and as an audience we gain the benefit.

 James Neve     Dave Birch     Rob Young     Marty Musser

Viva the Kimberley Ski Hill and the Stemwinder Bar and Grill.

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Canadian Country Christmas

 With the compliments of Mr Sean Hogan, Buck Zroback of  Cranbrook Dodge and Margie Coleman of the Byng Roadhouse Bar it was indeed a great Christmas for  Country Music fans.The familiar opening lines, “it was a dark and stormy night” were almost true. There was no storm of course but it was a dark, dark, very dark night. An electrical breaker had kicked out at Fort Steele and left most of the area in darkness. It was incredibly hard to spot the turn off into Fort Steele. So much so that several performers were reduced to using their GPS devices to find the entrance road. The parking lot was equally as dark and it was only the lights of strategically  parked cars that  enable patrons to find their way to the Wild Horse Theatre. As the poster said this was the 9th annual Country Christmas show at the Fort Steele Wild Horse Theatre. Sean Hogan, recently recovered from Oral Pharyngeal cancer, invited some of Alberta’s, and Canada’s, finest singer / song writers to join him on stage for the show. Performers included Duane Steele, Bobby Wills (the only cowboy hat on stage), Jake Mathews and Samantha King. In the back ground doing an absolutely monumental job as the back up band was Denis Dufresne (Du-nee Doo-frain) on fiddle and mandolin and Karac Hendricks (Care-ac Hen-dricks) on electric and acoustic guitars. The format of the show was pretty straight forward with each performer taking to the stage for the first half of the show to reprise some of their well known and not so well known songs. After brief a introduction Jake Mathews kicked off the show with “I’m Gone”, “Red Tail Lights andIf I had it My Way“. Red Lights was featured in a video originally recorded near Kimberley and it included that fine piece of country poetry ” nothing says goodbye like red tail lights”. Bobby Wills, complete with black cowboy hat and his favorite Gibson guitar kicked off his selection with the song, “Show Some Respect”, that climbed to #8 on the charts.  Bobby got his start in country music at an open mic session in, of all places, Byron Bay, Australia. Samantha King has been on previous Country Christmas shows and she performed her “Not Enough to Get Me”, “The Black Bear” and a possibly slanderous piece of poetry in song, “The All Overs”, dedicated to her ex-husband. Duane Steele is a long time co-writer with Sean Hogan and his stand out song was “Brave” . It featured some of his beautiful finger picking and the superb mandolin back up from Denis Dufresne. It was a real treat to hear some classy mandolin playing that did not rely on over worked Blue Grass “chops” and runs. Duane’s “Bottle It” was about saving the good times for when you can “pop the cork and drink it on down”. That’s a nice line. As was the poetry in  “A Waste of Good Whiskey” . This  is a song he co-wrote and performed with Sean Hogan. Sean Hogan rounded off the first half of the show with a set that included “Not Just Any Bull”. Only in Alberta could somebody have a pet bison ride around in vehicle and have it end up in a song. After a brief intermission every body was back on stage to do a selection of Christmas songs that included “It Came on a Midnight Clear”, “Have Your Self a Merry Christmas”, “Rock Around the Christmas Tree”, “Is That You Santa Claus?” (an old Louis Armstrong song) “O Come All Ye Faithful”, “Look What Love Did”, and “O Holy Night”. That last mentioned song garnered huge applause for Samantha King. In the Christmas mix was some Garth Brooks and George Straight flavored songs and a Happy Birthday greeting for 84 year old “Gracie” in the audience. This was a night of, dare I say it?, of real country music. No “Star Spangled Nashville Sounds” or country music dressed up in rock and roll clothes here. It was a night of blue jeans, rolled up sleeves and  calloused hands – the way country music should be. Here are a few more images from the show

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The benefits from the show went to the  Kootenay Child Development Centre (250-426-2542).

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Sean HoganTHE BYNG IS BACK: SEAN HOGAN AND DUANE STEELE , Friday night, December 7, 2012, no earlier than 9pm. Over the years music has come and gone at the Byng Hotel but it appears that new management has initiated a new “live” music policy. Now, under the banner of The Byng Roadhouse Bar, things are back on track with bands performing on Friday and Saturday evenings and regular jam sessions every Saturday afternoon. Margie Coleman took over the lease of the bar in October and has been busy rehabilitating the room. The bandstand and dance floor have been restored to the bottom section of  room and suitable booths and furnishing have been added to the main social area. To date there are no kitchen services but that could change as circumstances permit. The country singer/song writers Sean Hogan and Duane Steele managed to hang around for a few days after their Christmas Concert at Fort Steele to perform at the Byng. It was an excellent opportunity to hear these two performers in an up close and personal environment. Here are some images from an evening of great “real” country music:

Duane Steele       Duane Steele      Duane Steele  Sean Hogan      Sean Hogan      Sean Hogan                                    Great hands - Duane Steele     Sean Hogan      Duane Steele     Sean Hogan     Sean Hogan      Duane Steele      Sean Hogan                                 Duane Steele

CLICK ON THE IMAGES FOR A LARGER VIEW

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Heather G’s Jam #2

LOCATION, LOCATION, LOCATION: Heather G’s Jam, co-hosted by Dave Prinn and Heather Gemmell at Ric’s Lounge in the Prestige Hotel in Cranbrook, November 9, 2012, 7-11pm.

Location isn’t everything but it is certainly a step in the right direction. Ever since Finnegans Wake closed down local musicians have been bereft of a place to informally perform. Bj’s Creekside Pub is still very much on the scene but that is in Kimberley. The management of Ric’s lounge has stepped up to the plate with a live music policy that, if the two first Heather G jam session are any indication, seem destined for success. If so it will be well deserved. The location is perfectly obvious, accessible, well appointed, lots of parking, pleasant staff and good food. Add in some opportune timing (once a month, 7-9 pm) and a huge reservoir of local talent then it looks like we are in for some good times. On this particular night Dave Prinn and Heather Gemmell kicked off the evening with a great duo of their speciality – rocky / blues with lots of musical interplay. That was just the beginning of an evening filled with music by Sheva (Shelagh and Van Redecopp), Sharon Routley, Rick Marasco and Rod Wilson, James Neve, Mark Casey and Jon Bissett. But undoubtedly the stars of the evening were the ladies of the all female Blue Grass band PIXS AND STIXS (Cosima Wells, Paige Lennox, Janice Nicili, Shelagh Gunn and Heather Gemmell). This was only the second live performance by the band and although handicapped by some technical sound problems and the absence of their mandolin player (Shauna Plant) they proceeded to delight a packed house. At one stage people were lining up at the door. Here are some images from the evening:

                                    So, thanks to Heather Gemmell and Brian Noer for a great idea. Thanks to the management and staff of Ric’s for the venue. Thanks to the musicians and patrons for a wonderful evening and last, but not least thanks to Dave Prinn for his superb organizational skills and the masses of sound equipment he managed for the evening.

Heather G’s Jam #3 will be held On Friday January 4th, 2013 7-11 pm.

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BJ’s Open Mic

OPEN MIC SESSION HOSTED BY DAVE PRINN at BJ’s Creekside Pub in Kimberley, Saturday November 3, 2012, 7:30 pm

“Jam Session”, “Open Mic” – is there a difference? To most people probably not but there is a slight difference in intent. “Jam sessions” are a hang over from the Jazz Age when musicians would get together and mostly improvise instrumental performances based on standard jazz tunes and tunes from “The Great American Song Book”. There was (is) an expectation that the performers have a thorough working knowledge of the melody and the chords. That still happens of course but as jazz has slipped into the background a modern day Jam session usually uses classic rock and popular music as vehicles for performances. In both Jazz and Rock Jam sessions performances are mostly unrehearsed and often musicians may have never before played together. There is always a high element of risk of things coming off the rails and ending in shambles. On the other hand if things work at their best there is the possibility of audiences being treated to one time incredible performances.   “Open Mic” sessions probably owe more to the traditions of the folk music era. It is usually implied that the performers have worked and rehearsed together and have come up with credible polished versions for the performance. Occasionally, sometimes quite often in fact, other musicians may join the performance and the result is a “jam session”. Of course, there is some etiquette involved and “crashing” a performance without permission may cause some unpleasantness. The Open Mic sessions at BJ’s Creekside Pub are held once a month and, depending on the host, will usually contain elements of both types of sessions. Such was the case on Saturday night. Dave Prinn is a solid solo act who is very generous with sharing the stage during an evening. He opened the night with a solo performance and was followed by Bill St.Amand playing his jazzy standards. During the evening Dave jammed with Paige Lennox and Fred on such Blue Grass standards as “Blackberry Blossom”. It is not often in this area that two banjo players grace the same stage at the same time. Yours truly (Rod Wilson) did the Celtic thing with some songs and instrumental pieces such as “Dimming of the Day”, “Ben’s Lament”, “Bonnie Ciara / The Blarney Pilgrim” on the Irish Cittern. Who else played? there was Daze of Grace joined by Rod Wilson on Irish Whistle and percussion. On a rare night off from the Casino Tom Bungay did his thing and of course “D Squared” (Dave Phillipe and Dave Prinn – vocals and guitars) ripped up the stage with their very polished performances of classic rock songs. Solo performers Jon Bissett and a newcomer to the area “Lee” (didn’t catch his last name) provided some  mellow sounds before Dave rounded out the night with his extremely fine singing and finger picking on a few classic tunes that include Neil Young’s classic  “Old Man” . Keep an eye on calender – BJ’s Creekside Pub Open Mic sessions are usually on the first Saturday of the month.

           

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National Steel Blues Emergency Tour

 

Doc Maclean and Morgan Davis: The National Steel Blues Emergency Tour at Centre 64, Monday October 29th, 2012, 8pm.

The days of the classic blues performers and race recordings of the 1930’s  are long, long gone. Even the days of folk/blues renaissance of the 1960s are fading into the mists of time. That was the last opportunity for a younger generation to touch bases with and be inspired by the likes of Mississippi John Hurt and the Rev. Garry Davis. Blues promoters of that era managed to find a few long retired classic blues musicians and coax them back into the public limelight for largely white college kids. The blues lessons from these old performers was taken to heart and basically it ignited and rejuvenated a blues scene that spilled over into the British rock scene and changed the face of popular music. What came about was not exactly blues in the old country tradition of the rural south. It had moved up town, discovered electricity and was brash and loud. Never-the-less it created an atmosphere where blues of every shade and persuasion continued to survive. Doc Maclean and Morgan Davis are among a number of performers who didn’t move up town but rather stayed true to the country traditions. Of  course nothing ever stays exactly the same. Doc and Morgan both use electricity and amplification but in a manner that is a far cry from the “enormodome” theatrics of huge arena shows. They are probably two of a hand full of musicians who can actually reach back to the authentic musical experiences of the bye gone classic blues. The classic tradition was about blues but it also incorporated gospel, ragtime, novelty tunes and an abundance of stories.   Folk musicians in every tradition are essentially story tellers. Saturday night’s performance was a skillful weaving of songs, humor and stories into a spell binding traditional tapestry that links us to a long gone era. The tools of their trade were some pretty old guitars (an old old Stella and a National Steel), blues harp, washboard, a three stringed cigar box guitar with an incredible sound (tuned A E A) and a couple of old off the shelf electric guitars. Doc’s slide of choice was a 11/16 inch Mastercraft Socket Wrench, Morgan was more inclined to use a 5/8 inch. So there was lots of finger picking, slide, subtle percussion, blues harp and a plethora of songs from all across the rural south. Songs included, Robert Johnson’ “When You Got a Good Friend”, Sleepy John Eastes’ “Going Down to Brownsville”, the classic “Stagger Lee”, the novelty song “Cats” (“dogs have people, cats have staff”), Sonny Terry and Brownie Magee’s “Come on if you’re Coming”, the gospel song “I will meet you on the Other Shore”, Jelly Roll Blues” and “Reefer Smoking Man”. Interspersed with the songs was some marvelous stage patter. Even the sales promotion of their CDs received a round of applause. Here are some images from the evening:

                                                                 

The Kimberley Centre 64 engagement is about two thirds the way through a 60 show tour that started out in Quebec City on September 5, 2012. The tour  crisscrosses back and forth across the country to finish in Winnipeg on November 16, 2012. That is a grueling schedule of almost back to back shows and despite the pressure the musicians appeared to be relaxed and in full command of the stage. It was an excellent show and it had what I always appreciate in a performance, music that had room to breathe. There was lots of space in the music.There was no helter/skelter on this stage. If the opportunity presents itself go see these two master blues players.

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